Thursday, July 31, 2014

Tales Of The Llevant: The Belgians

Belgians might seem unlikely contributors to Mallorca's tourism history. It's not as if one hears a great deal about the importance of the Belgian market nowadays; in fact, you don't hear anything about it. But Belgians there most definitely were. The most celebrated was Gerard Blitz because of his original 1950 tented Club Med village on the beach of the French in Alcúdia. Club Med were to eventually transfer operations and create a permanent base on the island's south-east coast. The only Club Med in Mallorca lasted in Portopetro until 2001.

Portopetro is all but a continuation of its neighbour just to its north, Cala d'Or, the two resorts being part of a string of generally understated touristic inhabitation that includes the calas of Figuera, Santanyi and Llombards, separated by the Mondragó park. And it was in Cala d'Or that the Belgian connection was made and was to be crucial to the resort's early development.

But before the Belgians, there was an Ibizan. Josep Costa Ferrer, aka Picarol, aka Don Pep, a painter, cartoonist and publisher. At the start of the 1930s, he turned up in Ses Puntetes and bought fifteen "quarterades" from Catalina Adrover de Calonge (a quarterada is a measurement of land equivalent to slightly more than 0.7 of a hectare and so roughly 7,000 square metres). He paid 1,000 pesetas for each quarterada. He got a bargain and proceeded to establish a coastal urbanisation which he named after a cala from his native Ibiza - Cala d'Hort. The name was quickly corrupted. It became Cala d'Or. The orchard cove became the gold cove.

The story of Cala d'Or and of its development is one about which we have more first-hand knowledge than of any of the other inter-war coastal developments in Mallorca. It is a story not without its glamour on account of names of those who came and bought properties; Rudolf Valentino's one-time wife was just one. The richness of the story is due to the fact that it was well chronicled, and the person who chronicled it was Don Pep himself.

Yet, despite the various articles that Don Pep wrote, there are discrepancies and elements missing. For example, the price he paid for the land was also reported as having been 13,000 pesetas in total. It might not matter - it was still incredibly cheap even for those days - but it is an indication of how these stories and histories have become mangled. Then there is the story of the Belgians. The accepted wisdom is that a Sr. Van Crainest and a Medard Verburgh were the principal developers of Cala d'Or. It is a wisdom which is true, but what is never explained, and even Don Pep didn't explain, was their backstory.

Van Crainest is only ever referred to by his surname. I can find no reference to his Christian name, while the surname is almost certainly spelt incorrectly. Van Craeynest is the normal spelling. He was described (only ever described) as having been an important "bodeguero", a literal translation of which is grocer but which can mean other things, such as a keeper of a wine cellar. It is probably more accurate to say that his business was that in the French tradition of the epicerie, a grocery store for sure, but way more than that, including the sale of fine wines.

But why did Van Crainest come to Mallorca? The only explanation seems to be that Verburgh invited him, and so who was Verburgh, and what was he doing in Mallorca? He was a painter, but what drew him to Santanyi and to Don Pep? The answer, I suspect, lies on the other side of the island. Don Pep had originally intended to establish a sort of haven along the Formentor promontory, where land prices were vastly higher. In 1931, following a well-established pattern of artists staying in Puerto Pollensa, Verburgh took up residence in the Hotel Miramar, having come from the US to seek inspiration, as did so many other artists, from Mallorca's light and landscapes. Don Pep definitely knew the likes of Adan Diehl, who had founded the Hotel Formentor, and so would have known various artists. Verburgh was almost certainly one of them, and Verburgh was not just a painter, he was also the youngest son of a family that had a grocery business (or an epicerie). Van Crainest, it can probably be assumed, either had a business association with the Verburgh family or was indeed a member of the wider family.

There is nothing sinister in any of this, simply a bit of mystery. Much of Mallorca's tourism history has a distinct starting-point but little or nothing that explains what brought about the starting-point. This is the case with Cala d'Or. The Belgians arrived, started developing and the rest was history. There was rather more to it than that.


Index for July 2014

Alcúdia old well - 18 July 2014
Alcúdia Via Fora - 13 July 2014
Anti-bullfighting campaign - 27 July 2014
Bad image and reaction - 3 July 2014
Bauzá Assemblea de Docents rap video - 19 July 2014
Belgians in Cala d'Or - 31 July 2014
Cala Bona and 1920s' roots - 29 July 2014
Cala Ratjada and Joan March - 28 July 2014
Cala Ratjada and Manacor-Artà train - 23 July 2014
Citizen participation and opinion - 2 July 2014
Holiday lets - 4 July 2014, 24 July 2014
How war shaped Mallorca's tourism development - 20 July 2014
Jaume Matas prison - 14 July 2014
Magalluf fellatio video - 5 July 2014, 7 July 2014, 11 July 2014, 12 July 2014, 26 July 2014
Mallorca like Brazil - 10 July 2014
Mallorca's tourism: how it might have been - 20 July 2014, 21 July 2014, 22 July 2014
Mediterranean winds - 16 July 2014
Naturism and anarchy - 8 July 2014
Patrona and Pollensa Festival - 25 July 2014
Pedro Sánchez - 15 July 2014
Pickpocketing - 1 July 2014
Pregón of fiestas - 6 July 2014
Scandals and PR disasters - 9 July 2014
S'Illot tourism development - 30 July 2014
Tourism, summer 2014 - 17 July 2014
Winds - 16 July 2014

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